As a cultural phenomenon, Miao silver jewelry has been favored by many ethnic groups in history and has become one of the carriers of multicultural communication. In this carrier, the "ear file" from the southern minorities is merged, which originated from the "jumping" of the northern minorities, as well as the "stepping" and "five soldiers" and the Chinese from the ancient ornaments. Traditional dragons, phoenixes, scales and so on. It is self-evident that the Miao silver ornaments are characterized by great beauty. The Miao people's silver horn is almost a convincing example of half the wearer's height. The totem worship of the Miao nationality is an important form of silver jewelry. The Miao totem is several images that are related to the Miao nationality.
In the ancient songs of the Miao nationality, the singer is that Maple gave birth to a butterfly mother (the sister list sister), and the butterfly mother gave birth to twelve eggs. The ancestors of the Miao nationality, Jiang Yang and the twelve brothers, were hatched by the birds. It is self-evident that the artistic characteristics of Miao silver ornaments are beautiful, and the processing of Miao silver ornaments is done by manual operation in the family workshop. According to the need, the silversmith first made the smelted silver into thin slices, silver bars or silver wires, and used the processes of pressing, smashing, engraving and smashing to make beautiful patterns, and then welding or weaving.
Silver feature
Great beauty
It is self-evident that the Miao silver ornaments are characterized by great beauty. The Miao people's silver horn is almost a convincing example of half the wearer's height. The pile is big for the mountains, showing the beauty of the hustle and bustle; the water is big for the sea, showing the beauty of the vastness. The unique insights of Miao silver ornaments with great beauty are very reasonable from an aesthetic point of view. It also shows that your family's wealth is good and shows the atmosphere of the Miao girl.
Focus on beauty
Looking at the weight again, the Miao women of Shidong, Guizhou Province, after wearing their ears, expanded the perforations with gradually rounded sticks to ensure that they could wear the popular round-shaped earrings and use the weight of the earrings to lengthen the earlobe. Some women are over-exposed because their earrings are too heavy. The local earrings weigh up to 200 grams. The Lihua Miao women’s silver flower circle is more and more important, and the weight is more than eight pounds.
Too much beauty
The "multiple" artistic characteristics of the Miao silver ornaments are also very amazing. Many Miao people wear silver ornaments to pay attention to beauty. The earrings are hung three or four, folded to the shoulders; the collars are worn by three or four pieces, and the neck is not covered; the enamel and waist ornaments are all worn and worn. In particular, the silver coats in the Qingshui River Basin have hundreds of combinations, and the overlap is complicated, presenting a kind of complex beauty. The materialization of this kind of conscious consciousness is not difficult to see in other ethnic groups. The tattooing practice of the Yi men pays attention to the wider the tattoo part and the more complex and beautiful the pattern; the Hani girl in the courtship period wears dense beadwork and shell ornaments; the “Garonne†backing of Tibetan women in Qinghai pastoral area fully reflects Pursuing the aesthetic principle of the big and many; the Deang people's waistband is as large as thirty or forty laps, which is typical of the number of jewelry. It is true that the pursuit of complexity is more than beautiful, not just the Miao family. More than a sense of uniqueness.
Change and change
It is worth mentioning that, from the comparison of the silver ornaments in different periods in the Guizhou Provincial Museum, the pursuit of large, heavy and numerous Miao silver ornaments has not stopped. Especially after the 1980s, the development speed of Miao silver jewelry was even more unprecedented. This reflects the continuous improvement of the living standards of the Miao people from one aspect.
Silver history
In the hundreds of years after the Ming Dynasty, the Miao silver jewelry experienced a nationalization process of obedience, combination and variation in order to obey the needs of the national aesthetic.
First, all the original varieties of silver ornaments are accepted by the Miao people's aesthetic standards. Some of them are accepted at the end, some are eliminated after they are introduced, and some have been rebuilt and unrecognizable. Of course, some have basically retained the original feature. In fact, the development of any national culture is actually a process of deepening understanding and understanding.
Second, the nationalization process of Miao silver jewelry is also an innovative process. Undoubtedly, human needs are the first source of artistic creation, and the aesthetic concept of the group is the norm of artistic creation. Innovation happens and develops following this logic. Due to the demand for silverware, the aesthetic consciousness of the Miao people's clothing is gradually separated from the practical consciousness, and the interdependence of material needs evolves into the aesthetic subject-object relationship. Due to the standardization of the group's aesthetic concept, in the process of artistic innovation, the Miao silver jewelry gradually formed its own distinct national personality.
There are many aesthetic opinions that influence and stipulate the Miao silver styling. So what is the most fundamental one? The Miao people have the custom of “taking money as a decoration†since ancient times. Historical materials also show that “money†decoration and silverware are simultaneously entered. Miao costumes in the field. This kind of exaggerated mentality revealed by "the money is decorated" plays a vital role in the aesthetic value orientation of the Miao silver jewelry, forming the three basic artistic characteristics of the Miao silver jewelry, that is, the beauty of the big, Focus on beauty and beauty.
The Miao family judges whether the family is rich or not by the number of silver ornaments on one person.
raw material
The raw materials for the processing of silverware in history are mainly silver and silver ingots. That is to say, the Miao nationality made a sunrise, and the sunset was full of interest. After a long period of time, almost all of the silver money accumulated under the accumulation was put into the furnace. Because of this, the silver purity of silverware varies from local to popular silver coins. For example, during the Republic of China, the southeastern part of the country was bounded by Leishan. The northern side of the silver material came from the ocean, with high purity, and the south side was from the hustle and bustle, and the silver color was poor. After the 1950s, the party and the government fully respected the customs and habits of the Miao people, and allocated low-priced special silver to the Miao nationality every year.
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